Here is everything explained in ‘Fear Street Part 3: 1666’ — the epic Netflix finale


Warning: The following tale contains spoilers for the entirety of Netflix’s “Fear Street” trilogy, including the third plus final installment, “Fear Street: 1666. ”

The time has come for the mysterious secrets of Shadyside, Ohio, to be revealed. However , the ending to Netflix’s haunting “Fear Street” trilogy comes with a twist.

Released over three consecutive weeks, “Fear Street: 1994” and “Fear Street: 1978” laid the groundwork for your curses and clues that will pay off in “Fear Street: 1666. ”

We’ve collected all the key answers from “Fear Street: 1666” that help finally cool off its predecessors’ burning questions.


Goode is bad

Ashley Zuckerman as Nick Goode in "Fear Street: 1994."

Ashley Zuckerman as Nick Goode in “Fear Street: 1994. ”

(VanDam / Netflix )

The biggest payoff for the trilogy is that Sheriff Nick Goode (Ashley Zukerman) and the entire Goode family line are responsible for making and adoring the longstanding deal with the devil — not Sarah Fier. In fact , the Fier portrayed in the beginning of the movie is not a witch, but after she’s seen the kiss Hannah Miller (Olivia Scott Welch) she is accused of being one.

When the town needs someone to blame after Pastor Burns (Michael Chandler) became had and gouged out the particular children’s eyes, Thomas (McCabe Slye) rallies the town to label Sarah Fier a witch who laid using the devil and enchanted Miller’s daughter into a kiss.

However , the true demonic ally is Solomon Goode (Zukerman), who pretends to become Fier’s ally until the girl discovers that Sheriff Goode’s ancestor is the one who made the deal with the devil in exchange for generational power.

His deal ensured that while all of the people of Shadyside were cursed, this individual and his entire bloodline might maintain the highest titles, such as mayor and sheriff.


Goode’s deal is made with several different devils

A view of the witch's mark in "Fear Street: 1978."

The witch’s mark in “Fear Street: 1978. ”

(Jessica Miglio)

Though the movies have used devil as a singular, in fact, Goode calls upon several different devils and demons pertaining to his deal.

He calls: “Bael, ” known as “the lesser essential of Solomon” that will his bidding in demonology; “Azazel” and “Abaddon, ” demons in Hebrew mythology; “Ahriman, ” an evil spirit in Persian mythology; “Rimmon, ” the devil that guards Hell; “Samael, ” a devil often called “The poison of God”; and “Gorgon, ” a creature from Greek mythology (yes, think demi-gorgon from “Stranger Things”).


He also calls to “Beelzebub, ” who’s known as the prince associated with devils and to “Satan, ” “morning star” and “Lucifer” to address the devil in every his names and types.

To close off the deal, Goode and his descendants must offer human sacrifices to keep the blood actually flowing, which is why the continual murder of innocents is definitely an essential part of the curse.

He is also using the incantation book that doctor Lane (Jordana Spiro) ultimately found — most likely right after discovering Goode’s secret cave, where the deal was made, around “Fear Street: 1978. ”

The reason names were carved into the cave was to indicate that will another soul needed to be owned and sacrificed to the demons.


The “1666″ Goode attempts to justify their actions, as he’s simply “taking what they all came there for” as Puritans: “power, prosperity and heritage. ”

The real Sarah Fier creates her own curse

Fred Hechinger and Julia Rehwald in "Fear Street: 1666."

Fred Hechinger as Isaac and Julia Rehwald since Lizzie in “Fear Road: 1666. ”



There’s the Fier that audiences have been resulted in fear in the previous films, and then there’s the real Sarah Fier (Elizabeth Scopel). In probably the most tricky plot twist of the final film, Fier is not who many believe her to be.

While she is not the main one responsible for the Shadyside curse, she does vow to unleash her wrath when the town decides to hang her.

Resigned to the belief that she will in no way convince her misogynistic community otherwise, Fier confesses in order to being the witch they want her to be to save Callier.

Before she’s hung, Madeira’s Fier says, “The truth will come away. Maybe not today, maybe not tomorrow, but it will. The truth shall be your curse. It will follow you for eternity. I am going to shadow you forever. I will show them what you’ve done. I will never let you go. ”

Advertising campaign

Then — taking the form of Scopel — she repeats the words Madeira said and adds “you will feel the grip of my hand, ” in mention of the when Goode cut off Fier’s hand, which becomes an important part of her curse.

This curse points out why Shadysiders see to the past when they touch the particular hand of Fier — to guide them to break the curse.

The Goodes represent corrupt systems of power


A frightened Gillian Jacobs, Benjamin Flores Jr. and Darrell Britt-Gibson in "Fear Street: 1666."

Gillian Jacobs as Chemical. Berman, Benjamin Flores Jr. as Josh and Darrell Britt-Gibson as Martin within “Fear Street: 1666. ”


While “1978″ protagonist Ziggy (Sadie Sink) once reliable Nick Goode, he tricked her when it mattered most. This is also true for Fier, because Solomon Goode said he loved her and then proceeded to chop off her hand and sacrifice the girl life to the townspeople.

In every generation following the curse, a Goode has been placed into a position of power that enabled these to shame and criminalize Shadysiders while bolstering their own like magic , enhanced status.

“Fear Street: 1666” brings back Martin (Darrell Britt-Gibson) who Josh met at the police dispatch in “Fear Road: 1994, ” and discloses that Goode planted the particular spray cans that Martin was arrested for having.

Advertising campaign

Goode used cans to graffiti rumors supporting the Fier curse, reading “she’ll take your blood. She’ll take your head. She’ll follow you until you are dead” along with other messages.

In this way “Fear Street: 1666″ reflects how patriarchal power often gaslights ladies from their experiences and the method racial profiling can be covered up under false personas of justice.

It also highlights the disparities between Shadyside and Sunnyville. While Goode’s brother is the mayor of Sunnyville, the city prospers. However , in Shadyside, ” the “outsider” inhabitants are blamed for the loss of life and misfortune of their city.

This shows the way in which marginalized communities will often be blamed for their circumstances, even when it’s a corrupt — and in this case, cursed — system that styles things to be the way they may be.